Interdisciplinary Research & Creative Practice

Interdisciplinary Research & Creative Practice is the hybrid of Creative Media and Practice-led research in Music. Music will be leading the University’s Institutional Strategic Plan (ISP) initiative to create a University Research Cluster on Creative Media and Practice of world class stature, crossing digital screen cultures, music, creative writing, film arts, and installation art. At the same time, Practice-led research in Music is the core strategic focus area in the coming years. It will be informed and driven by interdisciplinary collaborations in text-based scholarship on cross-cultural and historically contextualized themes.

To this end, Music is designing a new collaborative space in Interdisciplinary Research and Creative Practice, which will stimulate a synergistic research culture from our university strengths and attract new faculty and external partners.

All Projects

____

The 2nd International Conference on Performance and Creativity: Historical Keyboard Music 1700–1850 Conference Gala Concert

Death and (Re)Birth of J. S. Bach: Reconsidering the Musical Work- and Author-Concepts

Croak – or the Unexpected Joys and Perils of Singing

Underneath//Emptiness

A CONNOTATION OF INFINITY

MEMORY

Sandburg Songs

The Menetou manuscript: a study of styles and repertory for the harpsichord during late-seventeenth-century France

Understanding Game Scoring: The Evolution of Compositional Practice for and Through Gaming

Prepared Ensemble (10 minutes): Ungar/Comala

Hollywood Romance (2021)

Nostra Culpa

Prepared Ensemble (11 minutes): Cartography of Peripheral Spaces

Violin Performance to Express Chinese Heritage

Banding Encounters: Embodied Practices in Improvisation

Hahn: Le rossignol éperdu

289 and State of the Union

Solo Violin Recital

Eurydice

F(OUR) improVISatIONS on cummings for piano and interactive graphics

New Compositions by Asian Composers

Sissieretta Jones, Carnegie Hall, 1902: O Patria Mia

Keyboard Arrangements of Music by Jean-Baptiste Lully. Critical edition, in Monuments of Seventeenth-Century Music, Vol. 1 of the Web-Library of Seventeenth-Century Music

A Distance Up-close for piano, real-time sampling, and interactive graphics

Collaborative Artistic Productions with GANs

Getting Out of the Black Box: Analogizing the Use of Computers in Electronic Music and Sound Art

Such Sweet Sorrow

Rediscovery Project - Antonio Caldara: Le Cinesi (1735)

Prepared Duo (Violin and Viola) (7 minutes): Iridescent Resonance

City Lights

Online Thematic Keyboard of Lully Keyboard Arrangements

Manifesto

Koto

She - An Opera of Imagination

They Say

French harpsichord doubles and the creative art of the 17th-century clavecinistes

Resisting Poems: Expressions of Dissent and Hegemony in Modern Basque Bertzolaritza

Antiphon in Memory of Pierre Boulez for 2 flutes, 2 clarinets, and 2 spaces

Enescu Performs Enescu: Glissandi in the Sonata op. 25 ‘dans le caractère populaire roumain

Understanding Game Scoring: Software Programming, Aleatoric Composition and Mimetic Music Technology

Gloriosa Piano Trio

Miles Upon Miles

An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology

Suite for Cello

Prepared Soprano, Prepared Flute and 3 Pianists (8 minutes): Minimáquina III

Prepared Saxophone Quartet (9 minutes): (White) Planes in Dissolution

Game Scoring: Software Programming and/as Aleatoric Composition for Social Sciences and Humanities Research Council: The Storytellers Conference 2018

Liszt on a Steinway

Revisiting le bon goût: observations on the irregularities and inconsistencies in French harpsichord music 1650–1730

Sprits of the Land, Lakes, and Sea: Interdisciplinary Opera as a Platform for Research on Nature, Humanity, and Memories

ReImagined Project

Machine learning (2018) for amplified baritone saxophone and diffused electronics

Perspectivas filosófico-temporales sobre el Dúo Concertante Nº 3 de Tomás Marco

Female Vocalist (producing sounds inside Piano) and Pianist (10 minutes): Uslar/Gorong

Music and Politics in the Spain of the 1960s: the case of Tomás Marco

Tampere Biennale 2020: El Canto del Mar Infinito (commissioned) for Uusinta Ensemble.

Industrial Isolation and Cultural Self-Exile: the Formation of an Independent Music Scene in Montreal

A Study of Sources and Performance Practice Issues in Recently-Rediscovered Sources of Seventeenth-Century French Harpsichord Music

Les Instances (2019) for diffused synthesized sounds and large ensemble

Prokofiev on a Steinway

ISOLATION PROJECT

Mutek and Lab Synthèse: Trends in Policing Indie Electronic Music in Montreal

Steinway Piano Chillout

Reimagining Musical Instruments: The Sound of Impossible Objects in My Music

The Dimension of the Fragile (CD) Víctor Ibarra + Vertxe Sonora Ensemble

2 Pianists and 2 Percussionists (9 minutes): Cartography of Confined Spaces, ICEBERG New Music

Avant-garde and Popular Forms Between Music and Visual Media – Transhistorical and Intermedial Investigations

Love and Longing

Yoonie Han - Works By Granados Haydn Liszt Bach-Busoni Albeniz-Godowsky

Prepared Oboe, Prepared Alto Saxophone, Percussion (x2), Piano and Prepared Double Bass (8 minutes): Cartography of Convoluted Spaces

Granados: Goyescas

CD Album "Touching"